417 lessons in 24 courses & 14 individual lessons
course
Creative Development: Guerrilla Commercial Design Concept in Maya with Ed Whetstone
2 hrs. 22 min. | Released on January 2, 2012
Required Software: Maya 2011, After Effects CS 5.5
Project Files Included (9 MB)
Required Software: Maya 2011, After Effects CS 5.5
Project Files Included (9 MB)
In this Maya tutorial we will approach a commercial design challenge from a no-frills, efficiency-first perspective.
We will be introduced to a few tools and techniques to create photorealistic material that is suitable for commercial design projects. By the end of this tutorial, we will have touched on modeling, lighting, shading, animation, scripting and rendering for efficiency and quality.
course
3ds Max for Motion Graphics
4 hrs. 52 min. | Released on December 1, 2011
Required Software: 3ds Max 2011, MatchMover, After Effects CS4
Project Files Included (372 MB)
Required Software: 3ds Max 2011, MatchMover, After Effects CS4
Project Files Included (372 MB)
This collection of tutorials shows artists how to create an eye-catching motion graphics spot using 3ds Max and After Effects.
In this training you will learn from several Digital-Tutors instructors, each of whom will be guiding you through a portion of the entire production pipeline used to create our final motion graphics piece. We will begin by exploring many of the powerful modeling tools found in 3ds Max, and utilizing these tools to build our 3D motion graphics elements. From there, we will look at a number of animation tools and features that will allow us to quickly add movement and life to our 3ds Max elements. From there, we will learn how to incorporate dynamic elements such as flowing cloth, smoke, and sparks into our scene. Finally, we will learn how to render out our elements from 3ds Max, and utilize After Effects for final compositing and sweetening of our motion graphics spot.
course
What's New in After Effects CS5.5
1 hrs. 20 min. | Released on September 2, 2011
Required Software: After Effects CS5.5
Project Files Included (130 MB)
Required Software: After Effects CS5.5
Project Files Included (130 MB)
In this After Effects tutorial we'll learn how to use the great new features in After Effects CS5.5 to speed up our projects and unleash a new level of control.
We'll begin this tutorial by looking at the new vibrance and black and white effects, which allow us new creative controls. Then we'll look at the new Camera Lens Blur and 3D Camera Depth of Field blur features, which are vastly improved and allow for natural bokeh and depth blurs. Then we'll learn how to quickly do repetitive placement tasks using the align panel. Then we'll learn how to use the new 3d light falloff features to create more realistic lighting. Then we'll take some time examining the new Warp Stabilizer effect which stabilizes footage quickly and cleanly in a matter of clicks. Finally, we'll examine the new Stereoscopic 3D camera rig and how we can use it with our 3d projects for a quick stereo experience. By the end of this After Effects tutorial, you'll have the ability to better use all of the new features added in CS5.5.
course
Beginner's Guide to After Effects CS5
1 hrs. 15 min. | Released on April 4, 2011
Required Software: After Effects CS5 and up
Project Files Included (49 MB)
Required Software: After Effects CS5 and up
Project Files Included (49 MB)
In this free After Effects tutorial, we will take an introductory look into After Effects and compositing in general so you can learn essential terms and definitions and build a solid foundation in computer graphics.
We will start the tutorial off by covering what motion graphics and compositing are and the various terms we encounter in After Effects such as project, composition, and layers. We will then take a look at importing images into After Effects so you can learn how to begin work on your own projects. After that, you will learn to do common tasks such as creating effects, masking, transforming and animating. And to wrap up this tutorial, we will go over how to render your projects out of After Effects to deliver to your client or show the world what you have accomplished. This series of step-by-step videos were developed with artists new to After Effects in mind so we will be moving at a steady, easy-to-follow pace making sure you understand terms and basic techniques.
course
Object Tracking in MatchMover and After Effects CS5
1 hrs. 38 min. | Released on January 3, 2011
Required Software: MatchMover 2011 and After Effects CS5
Project Files Included (171 MB)
Required Software: MatchMover 2011 and After Effects CS5
Project Files Included (171 MB)
In this series of lessons we will learn how to use MatchMover to track an object as if it was our scene, then finish the shot with Maya and After Effects. Using MatchMover we can find the movements of a real life object and move a 3D object to match.
We will begin this project by manually tracking our sequence in MatchMover and exporting it for use in Maya. We will then take our solved camera into our Maya scene and move our object into place. We will then learn how to capture our 3D environment reflections and create some helpful matte layers. Once we have rendered our Maya sequence, we will learn how to combine all of our images in After Effects. We will learn about processing our background footage to capture traveling mattes, as well as many different ways to combine our various mattes to create effects. We will finish by adding a silhouette and color correcting our images.
course
Multi-part Greenscreen Keying in After Effects CS5
1 hrs. 1 min. | Released on January 3, 2011
Required Software: After Effects CS5 and up
Project Files Included (55 MB)
Required Software: After Effects CS5 and up
Project Files Included (55 MB)
In this After Effects tutorial we will learn how to key a greenscreen using multiple layers to capture as much detail as possible. Using multiple layers and keyers, we will be able to focus our efforts and create a better final matte.
We will begin the tutorial by importing our footage into After Effects and analyzing the job ahead of us. Then we will create garbage masks to break apart our person into manageable pieces. We will then add Keylight effects to our layers to create an initial key. After that, we will analyze the best way to remove noise on each layer. Then we will fill in our alpha by creating a core matte. Finally we will focus on the hair and all the detailed roto and keying work involved. We will complete the project by doing some heavy-duty rotoscoping work on the bottle.
course
Keying Greenscreens in After Effects CS5
50 min. 43 sec. | Released on December 1, 2010
Required Software: After Effects CS5 and up
Project Files Included (7 MB)
Required Software: After Effects CS5 and up
Project Files Included (7 MB)
In this After Effects tutorial we'll learn how to key green or bluescreen footage in After Effects. Using greenscreens is a common practice in today's VFX workflow, so understanding how to get a good alpha from greenscreen footage is very important.
We'll begin this tutorial by learning what a chroma key is and what we need to look out for while we shoot the greenscreen footage. From there, we begin keying a sample shot using the Keylight keyer. We'll then learn how to refine our matte and edge using the various built-in modifiers. Finally, we will composite our keyed footage over a background and learn about spill suppression and some compositing tricks to integrate our pieces of footage. We'll end the tutorial by learning a method of treating compressed or chroma subsampled footage to pull better keys.
course
Integrating Titles with Footage in After Effects
58 min. 19 sec. | Released on October 31, 2010
Required Software: After Effects CS4 and up
Project Files Included (101 MB)
Required Software: After Effects CS4 and up
Project Files Included (101 MB)
In this After Effects tutorial we'll learn how to composite a text title into background footage. This is a common task for show openers or to add extra information into your shot.
We'll begin this tutorial by importing our background plate and creating the text we'll integrate. Then we'll track the background plate and attach our text to the track. We'll then learn about the uses of pre-composing and how to combine various effects to make our text look more three dimensional. We'll then learn how to take elements from our background and layer them into our text to create the illusion that the text is in the scene. We'll finish the tutorial by doing a quick color correction and render out our finished shot!
course
Match Moving and Compositing Pipeline in Maya 2011 and After Effects
9 hrs. 15 min. | Released on August 4, 2010
Required Software: Maya 2011, After Effects CS4
Project Files Included (887 MB)
Required Software: Maya 2011, After Effects CS4
Project Files Included (887 MB)
In this tutorial we'll learn how to take some footage and move it through the entire MatchMover to Maya to After Effects pipeline to create a finished shot. By going through the entire pipeline, we will be able to learn about specific issues and tips and tricks while moving between and inside each application.
We'll begin this tutorial by solving four of our shots in MatchMover and combining them in Maya into a cohesive 3d scene. Then we'll create our last camera in Maya and match it. Once all our camera are set-up, we'll learn how to model our object, create dynamics, animate, texture and render our scene. We'll then jump into After Effects to do some color treatment on our backgrounds and then composite our layers together. Now, this is a long project that will take some time to complete. If you get stuck or have any questions, please join our forums and ask. We check the forums often and have a very active and helpful community.
course
Depth-Based Compositing in After Effects
28 min. 6 sec. | Released on August 4, 2010
Required Software: After Effects CS4 and up
Project Files Included (52 MB)
Required Software: After Effects CS4 and up
Project Files Included (52 MB)
In this After Effects Tutorial we'll learn how to combine depth maps to create correct layering between two renders. This allows us to split out scenes into multiple render layers while keeping the correct pixels on top.
We'll begin the tutorial by taking a look at what is depth-based compositing or layering and why we would want to use it. Then we'll learn about some of the downsides of using this technique. We'll then dive in to After Effects and create a matte for our foreground layer using it's depth map and the background depth map. We'll then learn how to work with depth maps including combining maps from different scene scales, using depth-based layering to fix interpenetration issues and making depth maps human readable and error-free.
course
Animating Illustrator Logos in After Effects
3 hrs. 1 min. | Released on June 1, 2010
Required Software: After Effects CS4 for project files
Project Files Included (2 MB)
Required Software: After Effects CS4 for project files
Project Files Included (2 MB)
In this After Effects tutorial we'll learn a variety of techniques to create appealing logo animations. Taking a logo or image and animating it is a common task.
We'll begin the tutorial by importing a logo built in illustrator and organize our layers into compositions. We'll then learn some animation techniques to take what would be boring motion and give it some life. We'll then learn how to accurately gauge perspective and how to place the anchor point. Throughout the project we will create animation presets that will save us time on repetitive tasks. We'll learn techniques to reveal and grow elements from simple mask expansions to complex path strokes and mask animation.
course
Getting Started with After Effects CS5
1 hrs. 10 min. | Released on June 1, 2010
Required Software: After Effects CS5
Project Files Included (37 MB)
Required Software: After Effects CS5
Project Files Included (37 MB)
In this series of lessons we'll learn how to get started using the video editing software in After Effects. By using After Effects, we can quickly composite images, edit video and create visual effects.
We'll begin this project by learning the basics of importing images, compositing images together and production workflows for rendering safely. Then we'll do some basic compositing, masking, animation and color correction. We'll finish the course by creating a transition between two videos and learn about pre-comping. This series of lessons is a great starting point to learning After Effects. By learning the basic workflows of After Effects, we will be able to create appealing animations and video in no time and begin using After Effects in our production pipeline.
course
Compositing Stereoscopic Images in After Effects
1 hrs. | Released on May 3, 2010
Required Software: After Effects CS4 for project files
Project Files Included (7 MB)
Required Software: After Effects CS4 for project files
Project Files Included (7 MB)
In this After Effects tutorial we'll learn how to work with 3D Stereoscopic image pairs in After Effects. We'll be able to create an anaglyph preview and learn how to control our stereo depth and fix issues in After Effects.
We'll begin this ctutorial by learning how to set-up our project for stereo work and the basic stereo workflows. We'll then learn how to consistently and quickly edit our stereo images in After Effects. Finally, we'll go through an entire practical application of fixing a visual problem in our stereo images. During this we'll learn how and when we can re-use data from the left to the right side, and how to actually apply this. We'll finish by learning how to use an expression to change our screen depth solely in After Effects.
course
Advanced Stereo Workflows in After Effects - Disparity
1 hrs. 13 min. | Released on May 3, 2010
Required Software: After Effects CS4 for project files
Project Files Included (31 MB)
Required Software: After Effects CS4 for project files
Project Files Included (31 MB)
In this series of lessons we'll learn a technique to convert a Depth pass from a 3D application into a Disparity map. We'll then learn how to create tools to use this map to set the zero parallax point automatically and set depth correctly on 2D layers like text.
We'll begin this project by learning about what stereo disparity maps can do inside After Effects. We'll then learn what a stereo map is and how to covert a depth map into a stereo map. Then we'll dive right in and learn the mathematical relationship between depth and disparity maps and learn how to offset and multiply our depth into a pixel offset value. With our disparity map created, we will be able to create a point based depth control. We'll finish by learning how to use our disparity values to automatically update stereo offset using expressions.
course
Compositing 3D into Video in Maya and After Effects
2 hrs. 22 min. | Released on April 1, 2010
Required Software: Maya 2010 and After Effects CS4 and up for project files
Project Files Included (62 MB)
Required Software: Maya 2010 and After Effects CS4 and up for project files
Project Files Included (62 MB)
In this tutorial we'll learn how to take the output from a motion tracker app into Maya, import a 3d model to light and render then jump into After Effects to composite it with our original footage.
We'll begin the tutorial by setting up our motion tracked scene by adding the original footage and aligning everything to make working easier. We'll then bring in our 3d object and learn how to place it in our scene. We'll then learn how to create ground geometry and match the lighting in our original shot. We'll then create multiple render passes and layers to make compositing much easier. After we render, we'll jump into After Effects and learn about such topics as shadow matching, color matte usage and various techniques to match our 3d render with our live action back-plate. The end result of this course will be a final color corrected shot of our 3d object in real life.This tutorial will illustrate an example of how to use Maya and after Effects together to integrate a 3d model into live-action footage. This will allow us to place our own 3d models into real environments easier.
course
Compositing 2D Elements with Footage in After Effects
1 hrs. 22 min. | Released on February 18, 2010
Required Software: After Effects CS4 and up for Project Files
Project Files Included (62 MB)
Required Software: After Effects CS4 and up for Project Files
Project Files Included (62 MB)
In this After Effects tutorial we'll learn how to composite 2d elements over live footage. We'll create an appealing final video using a few simple images a variety of compositing and animation techniques.
We'll begin the tutorial by importing our elements and tracking various features of the face, including a difficult track through an eye blink. We'll learn how to create a tracked and animated mask to match our eye movement. To combine all of the elements and give them visual appeal, we'll learn how to use several different effects not only by themselves, but also together to create various looks. We'll learn how we can create animation using expressions. And finally, combine all our layers using compositing math to correctly mix everything together.
course
Rotoscoping Techniques in After Effects
1 hrs. 20 min. | Released on February 18, 2010
Required Software: After Effects CS4 and up for Project Files
Project Files Included (69 MB)
Required Software: After Effects CS4 and up for Project Files
Project Files Included (69 MB)
In this After effects tutorial we'll learn how to use the tracking, keying and masking features of After Effects to create a fast, robust rotoscope shape. By using each feature for their specific strength, we'll be able to achieve production-quality results much faster than hand keying.
We'll begin the tutorial by learning the basics of using trackers to speed up the rotoscoping process by removing camera jitter, translation, rotation and scaling. We'll then dive into our main project where we will use a combination of tracking, color keying and shape animation to create a clean mask for our foreground actor. We'll learn how each of these different methods can be used to speed up our rotoscoping workflow.
course
Introduction to Rotoscoping in After Effects
1 hrs. 2 min. | Released on January 7, 2010
Required Software: Project files created in After Effects CS4
Project Files Included (32 MB)
Required Software: Project files created in After Effects CS4
Project Files Included (32 MB)
In this After effects tutorial we'll learn the basics of Rotoscoping using After Effects. Digital rotoscoping is the process of creating a mask or matte to isolate part of an image or video so you can change it or add it to a different background and is a very important part of the visual effects process.
We'll begin this tutorial by learning about the pen tool, which lets us draw shapes and masks. We'll then dive deeper into the masking system in After Effects and learn some time saving workflows for checking your roto. We'll then jump into the basic workflows of animating masks and how we can keep a consistent shape for a more appealing matte. We'll end by outputting our mask into an image sequence that can be used in other applications.
course
Advanced Compositing Workflows with Maya and After Effects
2 hrs. 28 min. | Released on December 17, 2009
Required Software: Maya 2009 & After Effect CS4 and higher
Project Files Included (46 MB)
Required Software: Maya 2009 & After Effect CS4 and higher
Project Files Included (46 MB)
In this series of lessons, we will be taking you through the process of rendering your Maya scene into multiple passes, and using some advanced techniques for compositing these passes using After Effects.
We will dedicate the first portion of this course to using Render Passes in Maya to separate various elements of our scene at render time. We'll use mental ray's render passes, contribution maps, custom framebuffers, and render layers to create the necessary render passes for our scene. In the second portion of this course we will begin with some quick compositing similar to our Compositing 3D Renders in After Effects course, but we will quickly get into more advanced topics such as basic and advanced Depth-of-Field, Proxies, spot paint fixing and chromatic aberration.
course
Getting Started with mocha for After Effects
1 hrs. 4 min. | Released on November 18, 2009
Required Software: mocha and After Effects (Project Files created in mocha v2 and After Effects CS4)
Project Files Included (50 MB)
Required Software: mocha and After Effects (Project Files created in mocha v2 and After Effects CS4)
Project Files Included (50 MB)
In this series of lessons we will learn how to use the mocha for After Effects application to track objects and use that tracking data inside After Effects. mocha for After Effects is bundled with After Effects versions CS4 and later, so you might already have access to this powerful planer tracker.
We'll begin this project by creating a new project and learning the basics of the mocha planar tracker. We'll then learn how to bring that tracking data into after effects to do a sign replacement. We'll then learn how to change the output of mocha for an easier integration into After Effects. Once that is done, we'll learn about tracking with multiple layers in mocha and how to stabilize footage. We'll finish by working through a few difficult to track clips and learn the variety of tools we have to tweak and edit tracks in mocha.
course
Getting Started with After Effects
1 hrs. 15 min. | Released on October 29, 2009
Required Software: After Effects CS4 for project files
Project Files Included (3 MB)
Required Software: After Effects CS4 for project files
Project Files Included (3 MB)
In this After Effects Tutorial we'll learn how to get started using the video editing software After Effects. Using After Effects we can quickly composite images, edit video and create visual effects.
We'll begin the tutorial by learning the basics of importing images and moving around the After Effects user interface. Then we'll do some basic compositing, masking, animation and color correction. We'll finish with a project to composite a 3D render, create an interesting animated wipe and render it into a video file.
course
Introduction to Tracking in After Effects
45 min. 56 sec. | Released on October 22, 2009
Required Software: After Effects CS4 for project files
Project Files Included (20 MB)
Required Software: After Effects CS4 for project files
Project Files Included (20 MB)
In this After Effects tutorial we'll learn how to use the tracker built in to After Effects to analyze real life footage and find the movement of objects. This is an important technique for matching an image or animation's position, rotation, scale and perspective skewing to footage.
We'll begin the tutorial by doing a simple one point track using some easy footage and how to apply that movement information to other layers. We'll then learn how to do a two point track on real footage and create a black-bar effect over someone's eyes. Lastly, we'll track the four corners of a television screen to replace the image on the screen. We'll then learn some tips for getting a track from difficult footage using color correct techniques.
course
Compositing 3D Renders in After Effects
1 hrs. 13 min. | Released on October 1, 2009
Required Software: After Effects CS4 for project files
Project Files Included (2 MB)
Required Software: After Effects CS4 for project files
Project Files Included (2 MB)
In this After Effects tutorial we'll learn how to bring in multiple 3D render passes and composite the resulting image on top of a photograph using many tools and techniques.
We'll begin the tutorial by importing our layers and assembling them into a nice render of a car. We'll then learn how to create an advanced matte to cut out our car using the shadow, indirect, and matte layers. We'll then learn several compositing tricks to help us really blend the foreground and background, such as Reflection matching, Lightwraping, color correction and grain matching.
course
Stereoscopic 3D in After Effects
2 hrs. 51 min. | Released on February 13, 2009
Required Software: After Effects 7 and up (After Effects CS4 required to open project files)
Project Files Included (54 MB)
Required Software: After Effects 7 and up (After Effects CS4 required to open project files)
Project Files Included (54 MB)
Create 3D experiences directly in After Effects. Learn how to make stereoscopic 3D imagery and gain a deeper understanding of mathematics of stereo imagery, tips for creating safer stereo renders, and building After Effects camera rigs to create one of the most powerful effects in cinema. Contains nearly 3 hours of project-driven training and step-by-step examples for any artist using After Effects.
Popular highlights include: Stereoscopy Overview; Rules of Safe Stereo; Anaglyph Filtering; Stereo 3D workflow; After Effects Camera Rigs; 3D Objects in After Effects; Mathematics of Stereo Imagery; Creating Interactive Guides to Help Visualize; Color Correcting Stereo Imagery; Composting Stereo Pair Renders from Maya; Expressions; Controlling Zero Parallax; Interaxial Separation; Creating a Camera Dolly System; Animating Cameras with Dolly System; Photoshop 3D Layers; 3D Assets with Photoshop; Assembling Multiple Compositions with Expressions; Zero Parallax Controls in 3D Scene; Interaxial Separation Controls; Avoiding Keystoning and Other Stereo Distortions; Creating a Stereo Camera Rig for Photoshop 3D Objects.
How to better control 3D camera movements in After Effects
6 min. 1 sec. | Released on December 1, 2011
Required Software: After Effects
Project Files Included (8 KB)
Required Software: After Effects
Project Files Included (8 KB)
In this video we’re going to look at a question from one of our users, Sazarret, on a technique for checking our 3d camera movements within After Effects.
How to composite a sketch effect in After Effects
6 min. 48 sec. | Released on December 1, 2011
Required Software: After Effects
Project Files Included (72 MB)
Required Software: After Effects
Project Files Included (72 MB)
In this video we’re going to look at a question from one of our users on a technique for compositing a sketch effect within After Effects.
How to composite together an RGB matte in After Effects
8 min. 37 sec. | Released on December 1, 2011
Required Software: After Effects
Project Files Included (10 MB)
Required Software: After Effects
Project Files Included (10 MB)
In this video we’re going to look at a question from one of our users, andy gee, on how to composite together an RGB matte inside of After Effects.
How to composite together rain particles with a background in After Effects
6 min. 44 sec. | Released on December 1, 2011
Required Software: After Effects
Project Files Included (15 MB)
Required Software: After Effects
Project Files Included (15 MB)
In this video we’re going to look at a question from one of our users on how to composite rain particles with a background image inside of After Effects.
How to create a write-on effect in After Effects
6 min. 7 sec. | Released on December 1, 2011
Required Software: After Effects
Project Files Included (21 MB)
Required Software: After Effects
Project Files Included (21 MB)
In this video we’re going to look at a question from one of our users, Anna6642, on a technique for creating a write-on effect.
How to set up air turbulence
9 min. 25 sec. | Released on July 1, 2011
Required Software: Maya
Required Software: Maya
In this video we’re going to look at a question from one of our users, snipe202, on how to set up air turbulence.
Animating Water with Turbulence Displace in After Effects
6 min. 17 sec. | Released on April 12, 2009
Required Software: After Effects 7.0 and up
Required Software: After Effects 7.0 and up
In this lesson we will learn how to create a fake moving water effect using Turbulence Displace in After Effects.
Topics covered in this tutorial: Setting up the Turbulence Displace effect to look like moving water ; Learning various ways to localize the water effect ; Softening the effect by adding a fast blur. For more information on After Effects check out Stereoscopic 3D in After Effects, an in-depth guide to creating stereoscopic 3D imagery in post.
Setting Keyframes in After Effects
8 min. 20 sec. | Released on March 31, 2009
Required Software: After Effects 7.0 and up
Project Files Included (30 KB)
Required Software: After Effects 7.0 and up
Project Files Included (30 KB)
In this lesson we will learn how to work with keyframes in After Effects.
Topics covered in this tutorial: Adding keyframes at the current time without changing the layer ; Using the Graph Editor to add acceleration to an animation ; Learning how to use motion blurring for animation. Learn more about After Effects with Stereoscopic 3D in After Effects, an in-depth guide to creating stereoscopic 3D imagery in post.
Creating and Modifying Shapes in After Effects
7 min. 55 sec. | Released on March 24, 2009
Required Software: After Effects CS3 and up
Required Software: After Effects CS3 and up
In this lesson we will learn how to create interesting shapes in After Effects.
Topics covered in this tutorial: Editing shapes during creation; Adding options to a shape; Creating multiple copies on a single shape layer. Learn more about After Effects with Stereoscopic 3D in After Effects, an in-depth guide to creating stereoscopic 3D imagery in post.
Creating an Artistic Look with Minimax and Overlay in After Effects
3 min. 53 sec. | Released on March 20, 2009
Required Software: After Effects CS3 and up
Required Software: After Effects CS3 and up
In this lesson we will learn how to use effects and blending modes to create an interesting artistic look in After Effects.
Topics covered in this tutorial: Using Minimax to soften an image; Layering effects to create complex looks; Changing blending modes and opacity to make the effects subtle. Learn more about After Effects with Stereoscopic 3D in After Effects, an in-depth guide to creating stereoscopic 3D imagery in post.
Working with Keyframe Handles in After Effects
4 min. 50 sec. | Released on March 13, 2009
Required Software: After Effects 7.0 and up
Project Files Included (30 KB)
Required Software: After Effects 7.0 and up
Project Files Included (30 KB)
In this lesson we will learn how to change animation using keyframe handles in After Effects.
Topics covered in this tutorial: Changing keyframe interpolation; How to read the interpolation line; Using the Graph Editor. Learn more about After Effects with Stereoscopic 3D in After Effects, an in-depth guide to creating stereoscopic 3D imagery in post.
Using Brainstorm in After Effects
6 min. 25 sec. | Released on March 9, 2009
Required Software: After Effects CS3 and up
Required Software: After Effects CS3 and up
In this lesson we will learn how to use Brainstorm to create random looks.
Topics covered in this tutorial: Brainstorming an effect; Saving Brainstormed effects; Changing the variation that Brainstorm uses. Learn more about After Effects with Stereoscopic 3D in After Effects, an in-depth guide to creating stereoscopic 3D imagery in post.
